Biography

Sharon Hecker is an art historian who specializes in modern and contemporary Italian art. She is a leading international authority on Medardo Rosso, and has written on other key twentieth-century Italian artists such as Lucio Fontana and Luciano Fabro.

Education

1999                Ph.D. History of Art  -University of California at Berkeley

1994                M.A. History of Art – University of California at Berkeley

1988                B.A. Renaissance Studies, cum laude – Yale University

1986-7             Facoltà di Lettere – Middlebury College / Università degli Studi di Firenze

Career keyfacts

2006-2012

IES Abroad Milan / Università Cattolica del Sacro Cuore, Milan, Italy

Academic Dean
Adjunct Professor

1998-2003

Guest Curator
Medardo Rosso: Second Impressions, Harvard University Art Museums, Cambridge, MA
Arthur M. Sackler Museum, St. Louis Art Museum, Nasher Sculpture Center
Catalogue Yale University Press

1992-1999

Department of History of Art, University of California at Berkeley

Lecturer, Topics in Impressionism
Graduate Student Instructor, The Body in Nineteenth-century French Art
Teaching Assistant, Rodin’s Ascent – Professor Jacques de Caso
Teaching Assistant, Special Topics in Art History – Professor Svetlana Alpers

1991-1992

Archivio di Luciano Fabro, Milan, Italy

Worked as liaison between Italian artist Luciano Fabro and
San Francisco Museum of Modern Art for artist’s first U.S. retrospective,
translated catalogue and artist’s theoretical writings.

1990-1991

Galleria Christian Stein, Milan, Italy

Worked with contemporary Italian artists of Arte Povera movement

1989-1990

Project Coordinator, U.S. Pavilion Biennale di Venezia, Venice, Italy,
with the artist Jenny Holzer.

Supervised installation of U.S. Pavilion, as well as ten public projects around
the city of Venice, Winner of Venice “Leone d’oro” prize for best pavilion

Peggy Guggenheim Collection, Venice, Italy

Office of Deputy Director

 

 

 

 

 

Medardo Rosso

Sharon Hecker has authored over twenty critical essays on Rosso in books, scholarly journals, exhibition catalogues and edited volumes. She co-curated, with Harry Cooper, Medardo Rosso: Second Impressions at Harvard University Art Museums, St. Louis Art Museum, and Nasher Sculpture Center (2003-2004) (catalogue Yale University Press, 2004). She also authored Medardo Rosso, (Peter Freeman Inc., 2009). She has won numerous fellowships for her work on Rosso, including a Fulbright Scholarship, a Mellon Fellowship and a Getty Postdoctoral Fellowship in the Humanities. Her most recent book is A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture (University of California Press, 2017). Winner of the Millard Meiss Publication Fund Award.

Luciano Fabro

Sharon has authored critical essays on Fabro’s works, published in scholarly journals such as Oxford Art Journal as well as numerous edited volumes. Her translations of Fabro’s theoretical writings and lessons on art appear in Luciano Fabro, San Francisco Museum of Modern Art (1992), Luciano Fabro 100 disegni at the Kunstmuseum Winterthur (2013) and Luciano Fabro. Disegno In-Opera GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo CIAC (Centro Italiano Arte Contemporanea di Foligno), (2014), to which she also contributed an essay.

Lucio Fontana

Sharon has published on Fontana’s ceramic and mosaic works in Oxford Art Journal. She is currently conducting research on Fontana’s sculptures for architectural settings around Milan.

Awards

2002-2003

J.Paul Getty Postdoctoral Fellowship in the History of Art and the Humanities

1996-1997

Fulbright Scholarship Extension

Foreign Language Area Studies Fellowship and Regents Fellowship

1997

Gladys Krieble Delmas Foundation Grant for Research in Italy

Foreign Language Area Studies Fellowship and Regents Fellowship

1995-1996

Fulbright Scholarship

1995

Mellon Dissertation-Year Fellowship for Graduate Study

1994

U.C. Berkeley Humanities Graduate Research Grant

U.C. Berkeley Dean’s Research Assistant Dissertation Fellowship

1993 

U.C. Berkeley Letters and Sciences Provost’s Fund Travel Grant