“Born on a train: the impact of Medardo Rosso’s internationalism on his legacy” in Sculpture Journal, Volume 27, Issue 1, 2018, pp. 105–116.
A Moment’s Monument – Medardo Rosso and the International Origins of Modern Sculpture (Berkeley: University of California Press, 2017).
“The afterlife of sculptures: posthumous casts and the case of Medardo Rosso (1858–1928)” Journal of Art Historiography (June 2017).
“Back-to-Back: Medardo Rosso, Giovanni Segantini, and the Outsider in Italian Modern Art” in Orizzonte Nord Sud. Protagonisti dell’arte europea ai due versanti delle Alpi – Leading Figures of European Art North and South of the Alps. 1840-1960 Museo d’arte della Svizzera italiana, Lugano. LAC Lugano Arte e Cultura (Genève: Skira, 2015): 170-185.
“Everywhere and Nowhere: Medardo Rosso and the Cultural Cosmopolitan in Fin-de siècle Paris” in S. Waller and K. Carter, eds. Strangers in Paradise: Foreign Artists and Communities in Modern Paris, 1870-1914 (Aldershot: Ashgate, 2014).
“Diana Al-Hadid: Regarding Medardo Rosso”, catalog published on the occasion of the exhibition Diana Al-Hadid: Regarding Medardo Rosso at Marianne Boesky Gallery, February 8 – March 19, 2014.
“An Enfant Malade by Medardo Rosso from the Collection of Louis Vauxcelles”, The Burlington Magazine vol. 152:1292 (December 2010): 727-735.
“Shattering the Mould: Medardo Rosso and the Poetics of Plaster” in R. Frederiksen and E. Marchand, eds., Plaster Casts: Making, Collecting and Displaying from Classical Antiquity to the Present (Berlin: Walter de Gruyter, 2010): 319-330.
“Rosso: the Transient Form” exhibition review in The Burlington Magazine, vol. 151: 1280 (November 2009): 787.
“Icarus Fell Here”: Medardo Rosso (New York: Peter Freeman, 2009).
“Fleeting Revelations, The Demise of Duration in Medardo Rosso’s Wax Sculpture” in Ephemeral Bodies: Wax Sculpture and the Human Figure, R. Panzanelli, ed., Getty Research Institute Issues and Debates Book Series (Los Angeles: J.P. Getty Trust, 2008): 131-153.
Medardo Rosso: Second Impressions (co-authored with Harry Cooper), Harvard University Art Museums, Cambridge, MA (New Haven and London: Yale University Press, 2003).
“Medardo Rosso” in Winds of Change: the Milanese Avant-Garde 1860-1900, ed. F. Licht (Naples, FL: The Gilgore Collection, 2003): 84-103
“Medardo Rosso: Ecce puer, 1906” in Leggere l’arte, S. Fugazza, ed. (Piacenza, Galleria Ricci-Oddi, 2002): 79-88.
“Ambivalent Bodies: Medardo Rosso’s Brera Petition”, The Burlington Magazine vol. 142:1173 (December 2000): 773-777.
“L’esordio milanese di Medardo Rosso”, Bolletino dell’Accademia degli Euteleti (December 1998), vol. 65, pp. 185-201.
“Medardo Rosso: Ecce puer” in Da Hayez a Klimt. Maestri dell’Ottocento e Novecento della Galleria Ricci Oddi, Galleria d’Arte Moderna di Piacenza (Milan: Skira, 1997): 147-149.
“Medardo Rosso’s first commission”, The Burlington Magazine vol. 138:1125 (December 1996): 817-822.