“Why Luciano Fabro Today?”, in The Brooklyn Rail, Sept. 2018 edition, New York

“I represent the encumbrance of the object in the vanity of ideology. Lo Spirato (The Expired One), in Luciano Fabro, ed. Silvia Fabro, (Milan: Galleria Christian Stein, 2017).

“Luciano Fabro: Bitter Sweets for Nadezhda Mandelstam” in The Taste of Art: Cooking, Food, and Counterculture in Contemporary Practices, Silvia Bottinelli and Margherita d’Ayala Valva, eds. (Fayetteville: University of Arkansas press, 2017).

“Markets, Bacchanals and Gallows’: Luciano Fabro’s Italia all’asta in Piazza Plebiscito in Naples (2004)” in A. Nova and S. Hanke, eds. Platzanlagen und ihre Monumente: Wechselwirkungen zwischen Skulptur und Stadtraum (Berlin: Deutscher Kunstverlag, 2014).

“Sealed Between Us. The Role of Wax in Luciano Fabro’s Tu,” Oxford Art Journal, vol. 36:1 (March 2013): 13-38.

“Luciano Fabro: Drawing as Dialogue” in Luciano Fabro. Disegno In-Opera, exhibition catalogue, GAMeC (Galleria d’Arte Moderna e Contemporanea di Bergamo), (Milan: Silvana Editoriale, 2013).

“Art is Glimpsed. Luciano Fabro’s Penelope, in Contemporary Art/Classical Myth, Jennie Hirsh and Isabelle Loring Wallace, eds. (London: Ashgate, 2011): 57-86.

“If the Boot Fits…Luciano Fabro’s Italie,” in Italy from Without. Forum Italicum, vol. 47: 2 (August 2013): 431-462.