“Back-to-Back: Medardo Rosso, Giovanni Segantini, and the Outsider in Italian Modern Art”

“Back-to-Back: Medardo Rosso, Giovanni Segantini, and the Outsider in Italian Modern Art” in Orizzonte Nord Sud. Protagonisti dell’arte europea ai due versanti delle Alpi – Leading Figures of European Art North and South of the Alps. 1840-1960, Museo d’arte della Svizzera italiana, Lugano. LAC Lugano Arte e Cultura (Genève: Skira, 2015): 170-185.

Medardo Rosso and Giovanni Segantini are viewed as two key “outsiders” to Italian modern art.

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“Luciano Fabro: Drawing as Dialogue”

“Luciano Fabro: Drawing as Dialogue” in Luciano Fabro. Disegno In-Opera, exhibition catalogue, GAMeC (Galleria d’Arte Moderna e Contemporanea di Bergamo (Milan: Silvana Editoriale, 2013)

An essay that analyzes Luciano Fabro’s drawings as a form of dialogue with the viewer and owner of each drawing, as well as with the artist himself. Hecker contends that in his drawings Fabro rephrases the Renaissance emblem of Disegno in the Iconologia of Cesare Ripa

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